Tip Bikin Film Pendek

Pengin deh, ikutan kompetisi film pendek. Tapi, sudah pasti susah mengerjakannya.  Apalagi, kita belum berpengalaman dan nggak punya modal besar. Ini nih, pikiran yang mesti dibuang jauh-jauh. Jangan sampai kita menyerah sebelum mencoba. Asalkan niat, nggak susah kok bikin film pendek. Simak langkah-langkahnya, berikut ini:

  • Bentuk tim produksi. Untuk film pendek, idealnya 3-6 orang. Kemampuan membuat film bukanlah hal utama. Yang penting adalah menemukan anggota yang benar-benar niat bikin film dan mau belajar.
  • Bagi-bagi tugas. Pekerjaan yang paling penting adalah sutradara, penulis naskah, juru kamera dan editor. Oh iya, jabatan tersebut bisa dirangkap. Malah, kadang tim produksi juga merangkap sebagai talent (pemain).
  • Baca & browsing. Cari informasi tentang pembuatan film, job desc tim produksi, sampai cara menggunakan kamera serta teknik mengambil gambar. Pengetahuan bertambah dan ilmunya bisa langsung dipraktekkan ketika membuat film.
  • Buka mata untuk mencari ide. Ide bisa datang dari mana saja, bahkan hal yang paling sederhana sekalipun. Tantangannya adalah memastikan bahwa ide tersebut kreatif dan menarik.
  • Perencanaan & riset. Bikin timeline pengerjaan film, yang berisi jadwal penyelesaian naskah, waktu shooting, editing dan sebagainya. Ini supaya kerja kita efektif dan efisien. Selain itu, biasakan melakukan riset sebelum shooting. Misalnya, datang ke lokasi dan mencari spot yang pas untuk pengambilan gambar. Ini akan membantu banget di hari-H.
  • Kerahkan “Modal”. Berhubung filmnya low budget, jadi kita mesti kreatif memutar otak untuk memanfaatkan sumber daya yang ada. Misalnya, minta tolong teman-teman untuk jadi talent. Terus, cari pinjaman perlengkapan shooting, seperti kamera, wardrobe, properti dan sebagainya.

Selamat bikin film!

Source : http://www.gadis.co.id/Ngobrol/Tip+Praktis+Bikin+Film+Pendek+

Diposkan pada Genre

DETAILS & THE DEFINITIONS OF COMEDY

The Definitions of Comedy

What makes something funny? Comedy is perhaps the most versatile and unforgiving of all genres because ‘funny’ isn’t a universal constant. A multitude of contextual, experiential, societal, and cultural factors can impact what inspires laughter from one person to the next. There are, however, a handful of concepts that tend to be present in just about every piece of comedy. Here are a couple:

Absurdity ( Keabsuran )

Absurdity deals in the illogical, ridiculous, preposterous, or in the immortal words of Monty Python, just plain silly. Presenting a warped version of reality can be funny. Just don’t take it too far, you don’t want it to get disturbing… or lethal: legend has it that the ancient Greek philosopher Chrysippus died from laughter after watching a donkey get drunk on wine.

Incongruity

Comedy is all about playing against expectation. If you are able to make people think that they know which direction your piece is going then turn it around on them, you’ll more than likely be able to make them laugh – it’s reflexive!

Irony

A lot of modern comedy tends to be deeply ironic. The word translates as ‘feigned ignorance’, and describes the expressing your meaning, intention, or attitude through language or behaviour that signifies the opposite (typically sarcasm). Irony tends to be a little dry, and benefits from a strong deadpan delivery. Traditional dramatic irony, where your audience is aware of the consequences or implications of a character’s situation or actions while the character is not is also rife with comedic potential.

Pratfalls

Literally translating as “to fall on one’s butt,” scientists and philosophers have debated for millennia why exactly it is so funny to see somebody get distracted and fall off a bike. Some say that this kind of laughter is a primordial expression of empathy (which is why we don’t laugh when a person really gets hurt), others say its funny just because it is. Nonetheless, pratfalls are the soul of slapstick, which has dominated most of the broad, popular comedic genre all the way from Punch & Judy shows to The Three Stooges. When in doubt, you can always start tossing those banana peels around.

Diposkan pada Rules of Making, Script Write, Short Film, Uncategorized

How to Write an Effective Screenplay for a Short Film

The most common mistake inexperienced filmmakers make is their story is weak and therefore their film is weak. This is because they spend little or no time writing a screenplay as they find it bewildering.
Steps
Image titled Write an Effective Screenplay for a Short Film Step 11
Short vs Feature film. Short films and feature films are very much alike but also different. The main differences are feature films are made up of many scenes which give you the space to develop more complex characters and face an increasing array of obstacles. Technically much is the same when you start out with your idea however you may consider doing a treatment after your outline and using beat sheets to help you with structure.
Method
1
pre screenplay
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Read screenplays. Before you begin writing a screenplay it is a good idea to read and analyse screenplays to your favorite films and similar films to yours.
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Set a goal. By breaking down screenwriting into manageable chunks and working out a deadline it will give you motivation.
Time. A micro-budget short film should take a few weeks to conceive and edit. Don’t feel too pressured though as this may put you off instead just focus on writing 10 minutes a day.
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Calm environment. Work in a calming environment.

Method
2
Get an idea
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Choose a Film Title. The right film title is crucial as it will make it easier to market your screenplay and convey to the audience what the film is about. This can be established at anytime of the process.
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Key Theme. If you are unsure what the theme is, it’s the key lesson the protagonist has learnt by the end of the film.
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Formulate a premise. Write a short sentence (15 words or less) of the fundamental concept which drives the plot.
Whose story is it?
What do they want?
What’s stopping them getting it?
What’s at stake?
The premise for E.T. could be ‘A lonely boy is befriended by an alien’.
Seek feedback on your premise before you develop your film.

Method
3
Development
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What do you have available? By working out what actors, props and locations are available locally you can make your film cheaply and easily.
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Character development. This is an important part of development. The key areas of developing a character are:
1.Name
2.Appearance
3.Traits. Sociological, Psychological and physical.
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Character arc.
1.Heroes quest, on the way he faces his worst fears.
2.Bonding. At first two people who have to work together despise each other, yet they learn to live together and finally they love each other.
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. Dis-functional to Functional
What personal experiences do you have that you can apply to the characters?
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Where? (ex. location)
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What? (ex. theme, format, genre, characters goal, worst and best events that could occur)
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Why? USP(unique selling position)
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When? (time setting for story, deadline for finished film, schedule)
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If stuck. Watch a couple of short films and analyse using these key areas.
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Brainstorm the beginning and end of the film. Do this as mind maps. Then start filling in what happens in between, to make sure it doesn’t become too complicated start at the end and work to the beginning, as the middle is usually harder.
Method
4
Outline
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Create a template for the outline: (Title) is a short (genre) of (how many minutes?) aimed at (target audience) set in (location), (premise)… (Write the action that takes place in the film in the third person in a few hundred words).
Redraft outline a couple of times.
Get feedback on your outline.
Method
5
Write your script
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Write a script. Write for 10 minutes each day.
Structure. There are different ways of structuring a short film, but most importantly keep it simple, so you follow the journey of the protagonist and have no subplots. For example you could follow the three act structure (beginning, middle and end), or you could structure it like a joke following a moment in the protagonists life which ends on a punchline (twist).
Action. Keep this simple. Don’t write camera angles, instead infer them.
Dialogue. Add dialogue in after you have written the rest of the script, this way it will be more visual. Keep it simple and remember that it should not sound like real conversations.
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Face writers block.
Method
6
Feature film differences
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Outline. Should be no longer than a couple of pages long. write a paragraph for each scene.
Method
7
Redrafting
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Remember this quote: Ernest Hemingway “The first draft of anything is shit.”
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A common mistake with short film scripts is that they are overwritten and underdeveloped, only do a couple of drafts.
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Get feedback, create a list of key issues raised.
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Put your screenplay aside for a week.
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Read through. Get some people together to read through your script.
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Look at each element separately: re-draft dialogue; re-draft action; address structural problems.
Sample Script and Outline

Sample Script
Sample Script Outline

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Tips
Make a screenplay about something you are passionate about.
When casting, remember this; NEVER pick someone just because of his or her looks, or vice versa! Always choose based on their ACTING because you are looking for ACTORS not MODELS.
If you are finding it challenging you could work on it with others.
A problem with most film writers is motivation. If you find a theme/topic you really like it should be easier to write.
Show; don’t tell. Films are a visual medium.
If you are afraid of asking for feedback, it could help if you write down the worst things the other person could say.

Warnings
The most common pitfall first time screenwriters make is they don’t spend enough time developing the script and then to compensate, they tend to overwrite the script.
Things You’ll Need
A notepad, keep this with you at all times. To add and recall details.
Pencil, Colored Pens – to mark out corrections/alterations.
Screenwriting software, e.g Final Draft – used by professional screenwriters

http://www.wikihow.com/Write-an-Effective-Screenplay-for-a-Short-Film